Friday, April 14, 2017

Unlock the Secrets to the Castle in our Midst, interview with Amy Ephron

Unlock the Secrets to the Castle in our Midst, interview with Amy Ephron  


“I am sure there is Magic in everything, only we have not sense enough to get hold of it and make it do things for us”
Frances Hodgson Burnett, The Secret Garden

In a magically realistic modern mashup of Half Magic with elements of the Secret Garden and with a dash of a magical whimsy, the wit of children and stars of gumption all its own, Amy Ephron’s new and debut middle grade book, Castle in the Mist is a brief but wondrous story full of adventure and brimming with possibilities.  
The cover of the magical book


Tess and her newly found beguiling and mysterious Castle with a marvelous garden. Tess Befriends a magical boy, Max and they go on fantastical adventures with several creatures reminiscent of a Wrinkle in Time. The book blends modern elements with plenty of more traditional English sensibilities. The relatively short book is nevertheless full with its careful use of language and its easy readability makes it a great read aloud and readers theater. The message is clear believe in magic and never stop believing.

I was lucky enough to have Amy Ephron come by the store (Books Inc in Burlingame) recently and she responded to the interview below.   
Amy Ephron at Books Inc Burlingame with yours Drewly

1. How would you introduce your new book Castle in the Mist (CITM)? What ages would it be appropriate for? Would you agree that it makes for good reader’s theater book/ read aloud?

I call “The Castle in the Mist”  a modern-day mash-up of an old fashioned children’s book, where reality meets magic, and one wonders sometimes if something is real or is it imagined…? 
We like to say it’s appropriate for 8 – 80.  As I’ve had a number of grown-up people tell me, who are older than 12, that they opened the book, intending to a few pages, and the next thing they knew, I’d blown their day!!  i.e they never left the house again. 
I do love the idea that it could be performed as a theatrical piece and always, as it’s a third person narrator telling the story, meant (or hoped) for it to be also sometimes read aloud. 

2. What do you think of the audiobook available from libro.fm?

I was so happy that Listening Library and Philomel thought that it should be voiced by a female narrator, as the voice is a little bit like mine…  Laraine Newman (original SNL castmember) and I are very old friends.  She’s never agreed to do an audio before  She performs all the characters, voices all of them, from the kids to the ancient Irish groundskeeper. It was very magical to be in the studio with her, almost like watching a one woman show. 






3. How would you define or classify CITM? Magical Realism? Magical fantasy? My classification is Castle garden magic parable. your thoughts on labeling your new book Castle in the Mist?

I’m still back on, is it real or did they imagine it?  Sometimes wishes do come true.  I do believe in magic and that sometimes strange, magical, often mystical things occur that we can’t really explain. 
I love your idea that it’s a parable as the hawthorn trees were thought in olden days, if you ate the berries, to be able to cure a broken heart!  As everyone in the book is nursing a certain kind of sadness.  I think it has a foot in magical realism and a foot in old-fashioned story telling like Oz or A Wrinkle in Time where reality and magical worlds combine. 

4. The physical book itself combines older elements of older language arts features including italics, simple, clear descriptions, handwritten chapter titles with modern society elements like war in the middle east and lack of reliable wifi add relatability to the book. Why did you choose to write your new book Castle in the Mist (CITM) this way? Why italics?

It has a foot in now, a foot in somewhere else. An altered reality, a step back in time, a crazy imagination.  But also, I hope, it holds onto to some of the values that we will always think are worthwhile, loyalty, constancy, working together, believing in magic and that wishes can come true, believing in yourself, and pinkie swear, that love itself is a magical thing. 

5. What were your primary influences for the book?

When I was a kid I truly thought books were magical places I could get lost it.  I think my inspiration for this book is kids, mine and some I’ve met along the way and part of the magic of this book has been to be able to interact with kids all around the country and talk to them about magic, astronomy (yes, the sky does some strange things), believing in yourself and that sometimes wishes come true.

6. There are clearly many influences and references to other works in CITM. In your words, what is the role of gardens in your new book and how does that compare with the role of gardens in the classic the Secret Garden?

            I loved The Secret Garden.  I think Misselthwaite Manor is real.  And that it might even be a work of non-fiction.  Really.  It’s so vividly imagined. I love the idea of a secret garden, a place Max and Tess visit that no one else really knows about.  Also I love the act of playing the garden, no wife, old-fashioned games and bird and swan sightings.  But in a way the garden is just a portal into a magical place with a magical friendship and also, beware of the hawthorn trees, possibly a portal to a place you might want to get out of as quickly as you can…..stop…spoiler alert.


This BEAUTIFUL map crafted by Vartan Ter-Avanesyan is placed right before the book starts.  

7. Please describe how this book came to be? Specifically how were our beloved children lead characters Tess and Max created? Please describe their literary growth process?

Not sure I can explain except to say that I wanted to write about siblings – those moments when you don’t quite get along and yet truly are devoted to each other.  I wanted to recreate an old fashioned children’s world in modern day time (hence no wife); and I wanted theirs and William’s, the little boy in the castle, sadness which they swear in missing and worrying about their parents to be a way in which they bonded, something that they shared.  And I wanted them to learn to work together in order to overcome dangers that were put in their way.  Or dangers that they inadvertently put themselves into!!

8. There are many elements of Half Magic by Edward Eager sprinkled dazzlingly in CITM, I was most amazed by the roles of magic in both books. In both books magic tends to mysteriously teach personal growth to children and reveal personal powers that were hidden before. Your thoughts on the role of imagination and magic for Tess and Max?

It was also important to me that they were aware and appreciated some of the absolute beauty that they were seeing, her gardens, the castle, the musty antique shop.  That even though they were tough in some ways, they weren’t immune or jaded in any way.  That to Tess, the dancing doll herself was really a marvel, so that then they could enormous appreciation for what might turn out to be a magical dance in the stars, during a night when there was a blue moon, a blood, and a supermoon all at once where strange and beautiful, and sometimes scary, things can happen. 


9. What is the role of mystery in the lives of modern families?

Are you talking about secrets?  Or are you talking about how sometimes an adventure itself can feel like a mystery, a magical day that you come out of the other side of, like even a spontaneous trip or drive to the mountains. 
My family is very close and we try very hard not to be mysterious with each other – it doesn’t always work that way. The only thing I ever get really mad at my kids about it when they lie to me and I think history tell us that one of the biggest things that gets you in trouble is not necessarily what you did but that you lied about it..   (By the way, if someone asks you to keep a secret, it’s not always the same as lying!!) 
There is something lovely though about some mysteries, like the mystery of William being at the castle, at all.  And the magical antique store that’s never open except for that very one day…

10. Describe the role of friends and family in your new book. Are there any parallels to your own daily life?

Between us, my husband and I have five kids.  And there’s a thing in the book when Tess and Max, who are on their own, sometimes remember or repeat to themselves things they’ve learned along the way, either from one of their parents or a teacher or what I call
a life lesson…and I hope sometimes my kids, when they’re not around me, act that way, too. 
I also think that the family bond, the sibling thing, and how at the end of the day, you have your brother or your sister’s back no matter what, is a kind of credo that we try to live by. 
            Oh, and did I mention, I believe in magic.  And that wishes, sometimes, can come true.


11. If Tess and a Max were here right now what would they be doing and what would they say to thier readers? What do you want the legacy of this book to be?

If Tess and Max were here right now, I would hope they would say that they wanted to be invited back to England next summer to see their Aunt Evie, although possibly not in Hapshire, maybe the seashore, where there’s wireless and other kids and nothing whatsoever (they, Aunt Evie, and their parents think) could happen…

12. What's next for your writing career? Any parting words?

            That’s a secret but I absolutely promise that I’ll tell, the first second I can!  And I hope you’ll invite me to visit you and your magical bookstore again!! 

Make a wish. 

Painting in back of book crafted by Vartan Ter-Avanesyan  is Wrinkle in Time-esque, no?

Limitless thanks to the magical Amy Laura Ephron and to Lindsay Boggs and Jill Santopolo at Philomel/Penguin who allowed me to promote the book and its marvelous illustrations. Thanks also to master artist Vartan Ter-Avanesyan for adding to the magic of this book with purely stellar visuals.

Social media acknowledgments, Shout outs to:
 @philomelbooks and @penguinkids, and @penguinclass
 @amyephron who you can find on twitter and Instagram.  
and of course @booksinc.kids, @BooksincCentral, and @BooksincBurligname


Friday, April 7, 2017

8 things, a reflection about bookselling

Even with these flaws, it’s still the best job around, but it’s time to pull back the curtain and show you what’s it’s really like working at a bookstore. "


8 things about being a bookseller discussed

1. YOU SPEND ALL YOUR MONEY ON BOOKS.

There is no doubt the employee discount makes buying books more often you would otherwise inevitable, since it is hard to sell a book if you don't know the book.
However the endless supply of, free Advanced reader copies and transferring/checking out books and Not to mention libro.fm listening arcs. and edelweiss online arcs makes it easier to get books in ways the public can't.

Counterpoint: your heart, soul and mind grow everyday in ways many other professions can only dream of, thanks to the books you read.

One of best parts of job is the unending ability to be book giver,  book whisperer  to others which only strengthens and empowers all of those you know.

2. YOUR TBR PILE/LIST GROWS OUT OF CONTROL.

To be read lists are infinite for any avid bookseller.

Counter point: to be done lists are left unfulfilled and often grown in most callings.

Discernment on what to read is an invaluable skill that needs to be practiced and a To Be Read List is a great way to enhance this your finite life.

3. YOU’RE RUINED FOR OTHER BOOKSTORES

most jobs ruin their workers for their competitors.

counterpoint: working at a bookstore makes you more critical of all other stores and if you are introverted, make you think carefully about ways to improve our own bookstore in light of other bookstores.

my thoughts: self help is a critical part of any bookstore, so all bookstores could use self help and self reflection to empower, improve, strengthen and grow themselves.

4. BOOKS ARE HEAVY AND THERE ARE HEAVY BOOKS

the physical  burden of bookselling is not to be underestimated.
repetitive motion stress does not discriminate between callings or type of movement.

not to mention books on harsh realities, trauma and tragedies. ,

we need to keep booksellers aware of the risks and challenges that are demanded by the job including the physical, emotional and mental issues.

5. SOME BOOKS BECOME PERMANENTLY ASSOCIATED WITH RUDE PEOPLE.


working with the public has its rewards and its challenges, I try to create separation space between materials and customers as to not add unessasary stress


6. YOU DON’T GET TO TAKE ALL THE BEST BOOKS HOME.

again discernment and choice are part of every job and when you are surrounded by thousands books everyday, we must decide what books are worthy of our reading or our tbr lists and which ones to let go of forever.  This  said SImplifying is not easy especially for book lovers. I recommend giving away books that you will not really read or have not referred to in the last year.

7. YOU HAVE TO HELP PEOPLE FIND SOME… QUESTIONABLE READING MATERIAL

yes, one of the most difficult challenges is work with people you don't agree with. The way I deal with it is keep personal distance, remaining to be aware of using active listening when I can.
Dealing with the choices of others is a real stress, having others express their perspectives that might be opposing of your own is a practiced skill that many need more training on, especially those on the front line of public service and retail.
8. THE FEAR OF BOOKS LOSING THEIR MAGIC.

a bookseller, like all other callings,  burnout can have many parts to it, most bookselling jobs are not for the faint of heart, mind or wit.

to keep the magic of books alive we need to read diversely, all types of books genres, topics, and all other aspects of all our stories.

Monday, February 6, 2017

Fatal by John Lescroart book review and INTERVIEW

Fatal by John Lescroart
book review 


Fog
BY CARL SANDBURG
The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.


now my review


A new stellar page turning yet philosophical legal detective thriller titled Fatal from expert mystery writer John Lescroart  stays with you like lingering San Francisco Fog long after the clouds have dispersed. The intricate and complex mystery is set in familiar parts of San Francisco told with indelible characters and is fraught with unanswered ethical enigmas, personal problems and criminal crises.


As is well known by Lescoart readers, all of the descriptions of both San Fransisco scenery and enthralling characters in this New York Bestselling novel are all at once fantastic, immediately accessible, and intimately real.


The plot focuses on several local people caught in situations they struggle to control.


Kate Jameson is a wife caught up in an obsession, her lust for a married man named Peter Ash.


Kate's best friend and confidant, Beth, a San Francisco Police Department detective, has experienced and solved many infidelity cases thus Beth personally knows the devastation such lustful behavior creates for all parties involved.



Six months after Kate and Peter’s first affair, Peter Ash ends up dead in the San Francisco Bay as the mystery unravels, the suffocating fog that is the full fledged drama of human emotions masterfully slowly and tantalizingly teasingly reveals all of the mysteries involved with Peter's death, including some really profound truths.  
We are left to ask ourselves what do we let go of, what do we hold close? What matters most to us? What can we live without?

I have strong distain for anything about infidelity and sexual passion for other people while married and I still cant speak highly enough of this book whose focus is a married man who charms multiple women into affairs with him multiple times. The book is so well crafted in every way that it made me have readers withdrawal several times while reading and now after finishing it I am really having full fledged why John why did you end this book symptoms. My symptoms include like a serious serenity of feeling of the books mastery while at the same time being hurt by the all to sudden  sadness of the book being a stand alone (hopefully just for now). 

It could be a fatal mistake to not read Fatal by John Lescroart. Please comment below about this review especially people who have read it. PLEASE NO SPOILERS!

for more please check out John's awesome website: http://www.johnlescroart.com/

below is my interview with John Lescroart.
His answers are listed after my questions.



Yours Drewly with Thriller master John Lescroart



All the Best.
DD

Here's John at a recent Books Inc Burlingame/ Burlingame Public library event answering a qestion about his favorite books and his favorite characters.


1. How would you describe yourself in a police suspect interview? What crime would you be most likely to commit, if any? Why or why not? I would say that I'm a professional author and I make things up for a living. The crime I'm most likely to commit would be murder, because if you're going to break the law, might as well break the big one. 2. Given your remarkable life and your greatest influences, why do you write detective mysteries and legal thrillers? I write crime thrillers because I love the internal and external conflicts that usually come into play. Also, I am a big fan of plot and puzzle, and good crime fiction has those qualities in spades. 3. In the story of your life thus far as is told on your website and interviews and in a number of your books fate and fortune play a crucial role. Can you describe the role of luck or lack there of in your most recent New York Times Best Selling book Fatal? What is the role of luck in your own life? Luck, karma, fate, happenstance, serendipity -- call it what you will, the ineffable playing out of things beyond our control is one of the great themes in all of literature. We are simply helpless against the inexorable pull of the unknown future. In FATAL, just such a happenstance occurs near the end of Part One and infuses the rest of the book with a huge universal underpinning that I didn't plan originally, but certainly did recognize when it came into play. See, I answered that without making it a spoiler. In my own life, luck has also played a large role. I got spinal meningitis when I was 41 years old, and after that became a different kind of author. Beyond that, my book THE 13TH JUROR came out in paperback just as the OJ Simpson trial was beginning, and (aside from its good writing and super plot), that coincidence propelled that book onto the NY Times Bestseller List. 4. I've overheard in some interviews and talks you have given that you started your writing career with an overwhelming emphasis on character development and scenery and personal descriptions. Today your plots are nearly as dynamic as your characters. How do you keep plot and description so excitingly balanced? This is a good question. The basic answer is that I used to write to understand what led up to actions almost exclusively -- motive, impulse, prejudice, etc. But now I try not to write scenes where nothing happens. I want some physical action in almost every scene, and as these pile up, the book takes on a much more active tone, and the narrative drive increases dramatically. 5. What was your favorite part of your writing process for Fatal? What was your least favorite part of writing Fatal? Why? What were the most memorable both great and bad moments of writing Fatal? My favorite moment was, truly, the opening scene. After struggling literally for months with another, completely different book, I started this new one -- FATAL -- and from the opening sentence I suddenly felt that I knew where I was going. It was magic! My least favorite part, although it turned out very well, was the ending, which I re-wrote three times in its entirety. Not fun. Why? Because it's hell not knowing where something needs to be when you've worked it in your brain a zillion times. And by the same token, the greatest moment was when I finally knew I'd nailed it. 6. Given your mysterious yet marvelous characters in your new book Fatal, What is the role of emotions and personalities in Fatal? Everybody feels things, and any writer who wants to have readers care about his characters and doesn't acknowledge the wallop that emotions have in store for us, isn't doing his or her job. Even if you're have a small moment of action, the emotional reaction cannot be ignored. 7. Your relationship to the city of San Francisco is clearly intimate and immediate. What is the role of scenery and setting in Fatal? Why did you chose those parts of San Francisco for particular plot points in Fatal? In all of my books, the physical setting is enormously important. And since I've mostly written book set in San Francisco, I've developed a deep connection with that most romantic and zany of cities. In FATAL, I knew I needed to be near water -- the Bay and the ocean. I needed fog for atmosphere. I needed both upscale and tawdry neighborhoods. And don't forget food. Luckily, San Francisco supplies all this and more. 8. Why did you name your newest book Fatal? Well, my agent and editor and I used up all the other names in the universe. I handed this book in under the title of PANDORA'S BOX, and starting there, we went through at least a hundred different titles. Finally, my editor gave me a list of twenty more titles, each of them starting with "fatal," so I said "Why not get rid of the middle man and just use the key word. And that's what happened. 9. What does love have to do with plot development in Fatal? What about the role of lust? Lust plays a much larger role that love in FATAL. Lust drives the plot arcs of several of the main characters, whereas love is a much more fragile and yet durable thing by the time the book concludes. 10. Your personal acknowledgements at the end of your new book Fatal give us a glimpse into your influences in writing this book. What is one thing you want readers to come away with after reading Fatal? I try not to load my books up with too much didacticism. My aim is to entertain, not teach. But FATAL is finally a cautionary tale showing how even apparently minor transgressions and sins can have unexpected and disastrous results. If any reader on the verge of temptation finds him- or herself taking an extra minute to reflect on the possible consequences of what might happen, that would probably be to the good. 11. Whats next for you? Whats next for your writing career? I've already finished my next book, which is a Dismas Hardy mystery featuring my "usual" gang of characters -- Dismas Hardy, Abe Glitsky, Wyatt Hunt, Wes Farrell, and all of their families. I'd like to see that book embraced by fans the way that FATAL has been. 12. How would you describe your new book FATAL? FATAL is a stand-alone suspense thriller that explores the emotional landscape of the crime of passion, with surprising and powerful results. 13. What's next for your characters? Let's just say that a type of sequel to FATAL is in the earliest planning stages -- so early, in fact, that they might not make it to another full book, but I'm thinking that they also might. There is a lot unexplored with a few of the main characters in FATAL, and it might be fun to see what they do next. But no promises! 14. What is the role of sarcasm and humor in your book Fatal? When you're writing about very serious stuff, and that's what I was doing with FATAL, you'd better include some light and funny stuff. So whenever I got to feeling that the seriousness of the story was bogging things down, I threw in some leavening of irony and humor to keep my readers happy. That's the ball game -- keeping readers happily turning the pages.

15. What do you think the role of a legal thriller/detective mystery writer is in todays society in the United States?
crime/detective/legal thrillers play a large role in keeping the idea of justice and fair play in the forefront of society's consciousness. We aspire to the right and the good, and books of this kind are a constant and largely optimistic reminder.

16. How do you define the word worthy? How do you gauge a books "worthiness"?
A "worthy" book is one the plays by its own internal rules, and does so in a competent and artistic way.  


17. Any other words for your readers or the readers of this blog post?

I hope that readers of this blog post find a lot to like in FATAL, and may choose to explore other books I have written.  Enjoy!
again check out John's website particularly the FAQ section http://www.johnlescroart.com/meet-john/faq/

Thanks for reading this post!

DD

Monday, January 23, 2017

Ineffable: what makes a good book to yours Drewly



I would like to take some time and space on my blog to reflect on what makes a book good, especially a kids, youth or YA book to yours Drewly.

First off  Please read this New Yorker article on what makes a children's book "good"

I agree that there are two popular schools of thought on the matter. The content camp and the results camp. The Content camp is stuck with the belief that good book for children being somehow instructive or nutritive, often morally so. 

Another part of the content camp is the psychological value that the content minded people push for, while more substantially non instructive, there is still clinging to the idea that there must be some positive value gain from the content of the book.


The other camp that often has more members, is the results camp. Results” can range from book sales (“Goosebumps,” in that case, would definitely be good) to making a child laugh (any book written by Jon Scieszka would loudly ring that bell) to life impact of a story.

These two children's book quality criteria camps, like the nature side versus the nurture side of that debate are often struck and stay stubborn, remaining unmoving impervious, unchanging despite the overwhelming evidence and support for the crucial need for construction for a bridge for the nonsensical gap between the two schools of thought.

I like Gidwitz in the article linked to above, follow the prophet Walt Whitman: I contain multitudes, and I contradict myself whenever I choose to. In the case of determining quality in children’s books, I have two answers, I want to bridge that thinking gap.

 Gidwitz hits it right on with "We give children’s shoes to children because they fit children’s feet. And why would we denigrate a waltz that can only be danced to? Children, in particular, are made to dance." We all need to dance, explore, create and enjoy life more, and an easy way to do that is to read or be read to and encourage others to do the same for books that interest them, at any age.

As Gidwitz says, "Kids will like a book with a great story. But they will only love a book that makes them see the world in a new way." The impact and the change a book makes in anyones life is the best way to gauge if a book is good for anyone. 

What is important is that kids are reading, and anything we can do as adults to keep them reading is the what we are called to do. 

Who is to say the true value of a book, the true quality of a book, certainly publishers cant be, certainly authors cant be, that leaves us avid and caring readers.
But you don't ever have to take my word for it.

What makes a book worthy or worth reading for you?