Sunday, April 28, 2013

a haiku and some recent posts in SLIS

dear readers

books open hearts wide, 
reading causes the readers
to birth brave new dreams

THe LINE BEtween adult and YA books is fiction 


Children of all ages are currently reading and may have always been reading and sometimes light-years beyond age/grade level. So distinctions seem to really do little more than make parents happy, give them some guidance on what is “age appropriate” or that fits the particular schools requirements for grade level material.  These blurry at best distinctions also provide basic scaffolding for a structure to bookstores and libraries. 

The idea of discovering and promoting crossover materials as a way to entice and tempt the more advanced or older young adult readers is a great idea. I need to start creating a list of crossover titles for my future librarians self and for my current job in a local independent bookstore.  The crossunder books are harder to define and find and I am more then a little confused about them. I find the term new adult a very accurate name for the cross over/ cross under subgenre. 



NO CENSORSHIP 

It is essential to my beliefs of what it means to be a public librarian is to be as liberal and progressive with liberty and freedom for all. This means casting the widest net as wide as we can given our limitations, in the books public libraries carry, trying to be as objective and open minded as possible.  

 I can understand why some people want to sensor certain books due to their defensive natures and their own types of sensitive discriminations. This said there is little to defend such insecure personal judgments. I think much arrogance is based on ignorance, so if people were exposed to more things the less arrogant and more open-minded people would be. Hence more exposure to greater diversity equals a better world.  


Now stepping back to the articles Campell has a compelling argument for more positive literature about Christianity and Judaism and spirituality and religion in general, to be balanced I would add that YA books about evolution and YA fiction about science in general is also underrepresented.  I agree with pretty much all of what Levithan wrote about in his activist article about the under representation of Gay (and LGBTQ) teen literature. I specifically like his point about library collections being representations, and that it is a librarian’s obligation to make this representation as welcoming and as accurate as possible. So true, I also agree with his point about identities of all kinds need to be defended and represented as fact.

As future librarians we must have the most diverse representation of literature possible. It is our duty to our country, to each other and to all humanity.

Relabel Non-fiction, get real

I feel that labeling our nonfiction as informative texts and our fiction as simple narrative would be a great disservice to discerning readers. Harris is wrong on a basic level. As fully literate human beings, we learn “information” from stories sometimes even more fully and carefully than we learn from “preachy” informative work.  The assertion that learning/teaching is the proper domain of “experts” and that all narrative “stories” must be entirely separate is, in my view, evolutionarily incorrect.  As I understand prehistory, we learned much of our information through stories--of events, of hunts, of heroic deeds -- not through anything close to scientific studies of these phenomena.   I feel that Harris is both historically inaccurate, and wrong today, for people of all ages continue to learn from stories.  Consider what happens at the dinner table, in bars, at the beauty salon, or on fishing trips.  Harris’s idea that young people would somehow benefit from inaccurately labeled sections is absurd.



21st century YA reference


I think that we, as librarians in information professionals, need to harness and empower our young adults technical savvy with information literacy through various methods. Whether it is online or digital reference services (like those we read about) and other resources or using e-readers for reference help or effective communication with librarians in the physical space of our libraries, our young people need to be well prepared for working with the resources and services that our 21st century public libraries provide.   

To give better reference help for teens we need to pay special attention to the young adults we serve. As the Walter and Mediavilla article points out, if we want to be effective as librarians for young adults we will need to focus on helping teens achieve development outcomes associated with adolescence.  We must provide informational and reading resources and services that meet their individual objectives.  For their individualistic cultural world, the “average” will not do.  If we use more advanced inquiry-refining techniques and effective language, then the inquiry has better chances for success whether the reference question needs to be met in cyber space or in the physical space of the library itself.  

Monday, March 4, 2013

four Printz books reviewed by me (Drew Durham)



Book: 

Book 1: Where things come back John Corey Whaley (Atheneum Books for Young Readers July 24, 2012)


Plot
Cullen Witter lives in Lily, Arkansas which becomes host to a woodpecker sighting, but is it a hoax?  A birdwatcher named John Barling believes he spots a species of woodpecker thought to be extinct since the 1940s near the town. During the subsequent bird induced chaos around town, Cullen’s fifteen year old younger brother Gabriel somehow mysteriously disappears. Thus Cullen must do what he can to keep himself, his family and his friendships together. While alternating chapters between third person narration between Cullen and a 18 year old missionary named Benton Sage. The story ends in an culminating and unexpectedly thrilling way. Whaley’s style of mixing humor with sadness and drama, a writing style which finds ways to discover beauty and hope in everyday situations makes this book into a wonderful novel filled with the juxtapositions and complexities of real life. Even if the situations are different then our realities, the descriptions, dialogue, and character development make everything seem very realistic.  This story would go well on display with other multi layered and sophisticated books which directly involve and create a dialogue around the theme of the meaning of life like Looking For Alaska and Sophie’s World of all which are surreal or realistic fiction.


Book 2: Chares and Emma: The Darwin’s leap of faith By Deborah Heiligman 2009 Square fish publishers (Printz honor 2010)

This Heiligman book almost won three awards, the National Book Award Finalist, Printz award Honor book and it won the Excellence in Young Adult Nonfiction Award. This book is thorough and beautifully written biographical expose about Charles and Emma Darwin focuses on their married life exploring everything about their marriage and life together. All aspect of their lives from the kids, to the big theological (Emma’s agnosticism) versus Charles’s scientific understandings is investigated. Emma’s and Charles love is displayed in all of its complexity and beauty. This tome is a great book that speaks so eloquently about one of the most important families in the history of science. The troubles and joys before their marriage are also carefully detailed, as is Charles Darwin’s troubled and demanding writing life. The death in their families including two of their children, and troubles with their health are well documented in this book. The dialogue, like all other details of the book, is period appropriate, and accurate and factually based. This book would go well alongside all Darwin related materials.





Book 3: Looking for Alaska: John Green

Miles Halter (a skinny 17 year old who is known for most of the book ironically as Pudge) is fascinated by all the famous last words he can possibly learn–and tired of his safe life at home and his comfortable High School in Florida. He escapes for boarding school in Alabama to seek what the poet Francois Rabelais called the “Great Perhaps.” The perhaps that awaits Miles at Culver Creek, includes drinking, smoking, pranks, tricks, religion class, and Alaska Young. Alaska is daring, hilarious, seriously troubled, and gorgeous. After a terrible tragedy Pudge blames himself for not preventing happens, Alaska’s presence never fully disappears from the book, and lessons abound in this Pritnz Award winner from 2006. The “great perhaps” the existential conundrum that this book focuses on, is a great philosophical idea repeated through out the book echoing a theme of existential angst that countless people must resolve for themselves. This book would do well alongside Where things come back and Sophies World due to its philosophical imperatives and lessons.  









 four Printz books reviewed by Drew Durham 

Book: 

Book 1: Where things come back John Corey Whaley (Atheneum Books for Young Readers July 24, 2012)


Plot
Cullen Witter lives in Lily, Arkansas which becomes host to a woodpecker sighting, but is it a hoax?  A birdwatcher named John Barling believes he spots a species of woodpecker thought to be extinct since the 1940s near the town. During the subsequent bird induced chaos around town, Cullen’s fifteen year old younger brother Gabriel somehow mysteriously disappears. Thus Cullen must do what he can to keep himself, his family and his friendships together. While alternating chapters between third person narration between Cullen and a 18 year old missionary named Benton Sage. The story ends in an culminating and unexpectedly thrilling way. Whaley’s style of mixing humor with sadness and drama, a writing style which finds ways to discover beauty and hope in everyday situations makes this book into a wonderful novel filled with the juxtapositions and complexities of real life. Even if the situations are different then our realities, the descriptions, dialogue, and character development make everything seem very realistic.  This story would go well on display with other multi layered and sophisticated books which directly involve and create a dialogue around the theme of the meaning of life like Looking For Alaska and Sophie’s World of all which are surreal or realistic fiction.


Book 2: Chares and Emma: The Darwin’s leap of faith By Deborah Heiligman 2009 Square fish publishers (Printz honor 2010)

This Heiligman book almost won three awards, the National Book Award Finalist, Printz award Honor book and it won the Excellence in Young Adult Nonfiction Award. This book is thorough and beautifully written biographical expose about Charles and Emma Darwin focuses on their married life exploring everything about their marriage and life together. All aspect of their lives from the kids, to the big theological (Emma’s agnosticism) versus Charles’s scientific understandings is investigated. Emma’s and Charles love is displayed in all of its complexity and beauty. This tome is a great book that speaks so eloquently about one of the most important families in the history of science. The troubles and joys before their marriage are also carefully detailed, as is Charles Darwin’s troubled and demanding writing life. The death in their families including two of their children, and troubles with their health are well documented in this book. The dialogue, like all other details of the book, is period appropriate, and accurate and factually based. This book would go well alongside all Darwin related materials.





Book 3: Looking for Alaska: John Green

Miles Halter (a skinny 17 year old who is known for most of the book ironically as Pudge) is fascinated by all the famous last words he can possibly learn–and tired of his safe life at home and his comfortable High School in Florida. He escapes for boarding school in Alabama to seek what the poet Francois Rabelais called the “Great Perhaps.” The perhaps that awaits Miles at Culver Creek, includes drinking, smoking, pranks, tricks, religion class, and Alaska Young. Alaska is daring, hilarious, seriously troubled, and gorgeous. After a terrible tragedy Pudge blames himself for not preventing happens, Alaska’s presence never fully disappears from the book, and lessons abound in this Pritnz Award winner from 2006. The “great perhaps” the existential conundrum that this book focuses on, is a great philosophical idea repeated through out the book echoing a theme of existential angst that countless people must resolve for themselves. This book would do well alongside Where things come back and Sophies World due to its philosophical imperatives and lessons.  

  


Book 4:  Why we broke up by Daniel Handler

             Min Green is a bitter and hurt mismatched old movie obsessed ex girl friend of Varsity basketball team co-captain and total jock Ed Slaterton. Min (short for Minerva) is intent on showing her pain in her words and her symbolic sending of a box filled with many trinkets and curiosities of their wild high school love affair.  The fun Min and Ed have together as well as their intimate moments and their miss matched personalities and odd sense of humor are all flushed out in detail. Through explorations of their joys, their confusion, while readers join them in their high school love escapades, and half planned adventures. The raw betrayal Min endures because of Slaterton’s ruthless cheating.  The awkwardness of being intimate and steady with someone while having “friends” of the opposite gender, and still knowing your ex-lovers are both investigated in specific detail along with Min’s inner most feelings and pain. I think that this book would go well with other Young Adult break up books. 

The “Why we broke up project” is a follow up by the author Daniel Handler, and it is an impressive resource to share break up stores and a great idea to help people who have recently broken up or need closure and healing from a break up through sharing and reading breakup stories. The project is located at http://whywebrokeupproject.tumblr.com/

Tuesday, February 26, 2013

awards and promoting reading



The dichotomy my colleagues and the professor have discussed (popularity versus literary quality) should be and can be breached by certain books that can indeed be successful with both objectives being popular and high literary quality. There are of course, a fair number of great popular books that also have some lasting and impressive literary qualities (classics and “instant” classics). On the other end there are some Printz award winning and honor books that become popular after they win the award, or at least these books experience significant gains in readership, sales and distribution in libraries and bookstores after the award, I think that books like Looking for Alaska became somewhat more popular or at least gained lasting notoriety and “hooked” more readers after it won the 2006 Printz award. Like many book awards, the Printz award for best young adult book of the year is intended to reward “excellence” and “literary merit”, and not to acknowledge the size of the book’s intended audience. How excellence is defined by the committee is a different matter and how the new committees each year come to agreement about a final winner and the honor books  is still quite mysterious but the objective isn’t to appeal to the masses but to appeal to “literary merit”. Jonathan Hunt’s article we read for this week documents the growing diversity in genres (and subgenres!) of YA books, and the difficulty of deciding which is the “best” out of all the Printz candidates in a particular year especially with all the inner-personal and interpersonal dynamics he discusses.   
 The point has already been made that the award or honors can encourage non-avid and even avid readers to explore books they would otherwise avoid. Which begs the question that Hunt writes about in his article we read this week of who is the reader of this award winner or honor book and how can we use these award winning and honor books to promote reading and books in the general in the Young Adult population or at the very least how can they advocate for their intended audiences most effectively?

The answer, how to reach the most people, to me is a new model of young adult award promotion.  Awards reward and promote literary merit, and sometimes as a side effect this opens new eyes to reading, but there are only so many awards and so many more intended audiences. I suggest we promote and market all YA awards equally (as they should be equals) and not assert one as more important then the others and look for creative ways to promote books for all intended audiences. The use of an award is to promote and market a book and an author, other benefits are side effects or bonus gains. Book awards are sorely needed by readers, libraries and bookstores to promote authors, books, related books, and reach new readers who would other wise be uninterested. Anything that “hooks” someone into reading I am personally a fan of. So maybe we need more awards, maybe one for every major intended audience, so that we respect all readers equally, otherwise, honestly we are failing as people of the books if we play our own personal favorites, and therefore ignore and even worse dismiss potential reader communities.
All formats, genres, sub-genres, intended audiences deserve to be recognized every year, or else libraries, bookstores, and reading in general will suffer continual and additional unnecessary losses.

My perspective comes in part from my work at Linden Tree Bookstore. I have learned in the few months that I have been working there that the bookstore that people repeatedly come back to must carry more than just popular books. As a result the young adult books we carry include new books, classics, tons of different genres, many books that will never make bestseller list but will engage different segments of the teen population, just think if there were even more awards and more credit given to where credit is deserved. Why should we discount certain reader audiences for the sake of others? Are librarians and people of the books so elitist to think some intended audiences are more worthy of merit then others? Not if we want the maximum number of readers and avid readers, we need more awards, more honors, and more readers anyway we can get and keep them.   



** But there are many other awards given! See the full list: of book awards
   includes  Reader’s Choice and Teens’ Top Ten

Best of the Best – recognizing diversity,
“Teens Top Ten” – voted on by teens each summer